NIGHT_SHIFT.MOV
ORBIT ATHLETIC
NIGHT SHIFT
Six runners, four cities, one night each. No lighting we did not find already on the street.
- FORMAT
- COMMERCIAL FILM
- YEAR
- 2026
ARCHIVE / 2024—2026
THE WORK.
THE STUFFTHAT MADEPEOPLE LOOK.
Commercials, brand films, product films and one channel nobody asked for. Every frame below was shot, cut and graded by us.
CONCRETE_GARDEN.MOV
MORO ARCHITECTS
CONCRETE GARDEN
Thirty buildings in one continuous take. Four attempts, one usable. The restraint was the concept.
- FORMAT
- BRAND FILM
- YEAR
- 2025
FALLS_APART.MOV
STATIC BLOOM RECORDS
FALLS APART
Every chorus degrades the picture further. Grain, then tearing, then loss — all of it done on set.
- FORMAT
- MUSIC FILM
- YEAR
- 2025
DEAD_CHANNEL.MOV
SELF-INITIATED
DEAD CHANNEL
A channel of generated visuals and nonsense weather reports. Two years on air. No client, no analytics.
- FORMAT
- EXPERIMENT
- YEAR
- 2024
SALTWATER.MOV
HALDA SWIM
SALTWATER
Shot over three tides on one beach. The product appears for eleven seconds and that was the argument.
- FORMAT
- PRODUCT FILM
- YEAR
- 2026
FIRST_POUR.MOV
TERMINUS COFFEE
FIRST POUR
Six films, six cities, one recipe. Cast entirely from people who were already awake at 4am.
- FORMAT
- CAMPAIGN
- YEAR
- 2025
LOW_ORBIT.MOV
KESTREL AVIATION
LOW ORBIT
No aircraft on screen until the final shot. The client asked twice. We held it, and they were right to let us.
- FORMAT
- BRAND FILM
- YEAR
- 2024
THE_INTERVAL.MOV
NATIONAL THEATRE CO.
THE INTERVAL
Shot in a working theatre between performances. Ninety minutes of access, used entirely.
- FORMAT
- TITLES + PROMO
- YEAR
- 2024
SELECTED WORKCOMMERCIALSBRAND FILMSCAMPAIGNS
THAT IS THE REEL.
YOURS COULD BE NEXT ON IT.
BRING US A BRIEFSYS://SOCIALSPARK — 19°04′N 72°52′E